Critical Histories of Photography
Why have there been no great women artists
| Author | Title | Publisher |
| Richard Bolton (Ed) | The
Contest of meaning Critical Histories of Photography |
Paperback Reprint edition (April 1992) MIT Press |
| Thomas B. Hess and Elizabeth C. Baker (Eds) | Art
and Sexual Politics Why have there been no great women artists |
Collier Books, New York, 1973 |
| Janet Wolff | The social production of Art | MacMillan,
London 1981 |
| Victor Burgin | Thinking Photography |
MacMillan Press, London, 1982 |
| John Fiske | Introduction to Communication Studies (Studies in Culture and Communication) |
Paperback - 203 pages 2nd edition (November 1990) Routledge; |
| John A.Walker | Art in the Age of Mass Media | Pluto Press, London,1983 |
| David Siegel | Creating
Killer Web Sites Second Edition |
Hayden
Books,1997 |
| Lynda Weinman | Deconstructing
web graphics Web design case studies and tutorials |
New Riders Publishing, Idianapolis, 1996 |
| John Cato | User-Centered Web Design |
Addison-Wesley, London, 2000 |
| Dore Ashton | A reading of Modern Art | Icon Editions, 1969 |
| Edward Lucie-Smith | Art
in the '80's |
Phaidon, Oxford, 1990 |
| Sarah Kent | Shark
Invested Waters The Saatchi Collection of British Art in the '90's |
Zwemmer, London, 1994 |
| Henry M. Sayre | The
object of performance The American Avant Garde since 1970 |
The University of Chicago Press, 1989 |
| Harold Rosenberg | The
De-Definition of Art Action Art to Pop to Earthworks |
Secker Warburg, London, 1972 |
| Christine Poggi | In
Defiance of Painting Cubism, Futurism and the Invention of Collage |
Yale University Press, 1992 |
| Nicolas de Oliveira, Nicola Oxley and Michael Petry | Installation art |
Thames and Hudson, 1994 |
| Thierry De Duve | Kant After Duchamp |
Hardcover - 484 pages (May 1996) MIT Press |
| Richard Polsky | Art
Market Guide 1998 Second Edition |
Art
Publishers,1998 |
| Hal Foster | The
Anti-Aesthetic : Essays on Postmodern Culture Second Edition |
Bay
Press,1983 |
| Irving Sandler | Art
of the Postmodern Era : From the Late 1960s to the Early 1990s
|
Harpercollins,1996
|
| Stephanie Barron (Ed) | Degenerate
Art: The Fate of the Avant-Garde in Nazi Germany |
Harry N Abrams, New York, 1991 |
| Diane Kelder | The Great Book of French Impressionism |
Hardcover - 400 pages 2nd edition (December 1997) Artabras |
| John A. Walker | Art
in the Age of Mass-Media |
Pluto Press, London, 1983 |
| André Breton | Manifestoes
if Surrealism |
Ann Arbor,1972 |
| Tristan Tzara | Seven
Dada Manifestos and Lampisteries |
John Calder, London,1977 |
| Robert Bartlett Haas | Muybridge Man in motion |
University of California Press, Berkeley 1976 |
| Francois
Dagognet Jeanine Herman (Translator), Robert Galeta (Translator) |
Etienne-Jules
Marey A passion for the trace |
Zone Books, New York, 1992 |
| Anne-Marie Willis | Picturing
Australia A History of Photography |
Angus & Robertson, Sydney 1988 |
| H.J.P. Arnold | William
Henry Fox Talbot Pioneer of Photography and a man of science |
Hutchinson Benham, London,1977 |
| Richard Whelan | Alfred
Stieglitz A Biography |
Capo
Press,1997 |
| Eric J. Sandeen | Picturing
an Exhibition The Family of Man and 1950s America |
University
of New Mexico Press,1995 |
| Victor Burgin | Thinking Photography | MacMillan
Press, London, 1982 |
| Aaron Scharf | Art
and Photography |
Paperback Reprint edition (April 1995) Penguin USA (Paper) |
| Jonathan Green | American
Photography : A Critical History 1945 to the Present |
Hardcover - 247 pages (April 1984) Harry N Abrams; |
| Max Kozloff | The
privileged eye, Essays on Photography |
University of New Mexico Press, 1987 |
| Janet Malcolm | Dianna
and Nikon |
David Goudine,1980 |
| Pierre Bourdieu | Photography:
A middle-brow art |
Reissue edition (April 1996) Stanford Univ Pr; |
| Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer et al.(Eds) | Photography
after Photography Memory and representation in the digital age |
G+B Arts, Munich, 1996 |
| Richard Bolton (Ed) | The
Contest of meaning Critical Histories of Photography |
MIT Press, Cambridge, Massachusetts, 1992 |
| Hal Foster | The
Anti-Aesthetic : Essays on Postmodern Culture Second Edition |
Bay
Press,1983 |
| Irving Sandler | Art
of the Postmodern Era : From the Late 1960s to the Early 1990s
|
Harpercollins,1996
|
| Mark Dery (Ed) | Flame
wars The discourse of Cyberculture |
Duke
University Press, Durham and London,1994 |
| Ashley Crawford and Ray Edgar (Eds) | Transit LoungeWake-up calls and travellers' tales from the future | Craftsman House, Sydney 1997 |
| Steven Levy | Artificial life: The quest for a new creation | Penguin,1992 |
| Andrew Ross | No RespectIntellectuals and Popular Culture | Routledge, 1989 |
| Geoff Waite | Nietzsche's
Corps/E : Aesthetics, Politics,Prophecy, Or, the Spectacular Technoculture of Everyday Life (Post-Contemporary Interventions) |
Duke
University Press, Durham and London,1996 |
| Mark Dery | Escape
Velocity Cyberculture at the end of the Century |
Hodder and Stoughton, London, 1996 |
| Nicholas Negroponte | Being Digital | Hodder and Stoughton, London, 1995 |
| William Mitchell | The Reconfigured Eye | Paperback
(September 1994) MIT Press |
| Francis Spufford and Jenny Uglow (Eds) | Cultural Babbage, Technology, time and intervention | Faber and Faber, london, 1996 |
| Celeste Olalquiaga | Megalopolis : Contemporary Cultural Sensibilities | Duke
University of Minnesota Press,1992 |